Love, Rosie

Ari Sandel
"The DUFF" is short for "The designated barrels ugly friend". All friends have DUFF as do the other gang prettier. Duff-one is the person you use to reach his or her diggere friends. Cynical and disgusting, but it is in any case the reality of this American high school movie.
Bianca, portrayed by Mae Whitman, discovers she is friend gang DUFF and choose to break off all contact with his lifelong friends. masanobu sato She seeks help from childhood neighbor and the most popular "jock-a" Wesley (Robbie Amell). He struggles of course with their subjects, so she suggests that she helps him with homework and he makes her "cool".
"The masanobu sato DUFF" is surprisingly not as nasty and stupid as the premise suggests that it should be. Against all odds the powers actually being genuinely charming, and much of it is thanks to Mae Whitman's efforts as Bianca. She is funny and sassy, while she creates a believable character. Bianca feels like a real "teenager" and react to different situations in a way that captures the essence of ungdomsstiden.
She also looks like a normal 16 to 17-year-old, despite the fact that she actually is a decade older. Hated her in real life - great for the film's credibility. Whitman is the film's heart and soul, and it's not hard to envision a more ass version of this movie if Bianca had not been so perfectly cast.
Robbie Amell might not be the film's other secret weapon, but makes an absolute effort as "jock-a" Wesley. Often just as fun as Bianca, but he also has the advantage of being able to be quite insufferable masanobu sato in the film's masanobu sato beginning, and it is often where he is most fun. But unlike regular old Whitman so he looks like he netted 30 a while ago.
But despite the funny situations and charming main actors, so suffer "The DUFF" very of the genre's requirements. The film twists a bit of genre conventions sometimes, and it's refreshing, but it is also the disappointment even greater when it turns out that it's a clichéd masanobu sato prom and cutesy "happy ending" to wait. Not that we expect anything masanobu sato but a happy ending - it is rather only that "The DUFF" uninspired follow everything in the rule book and a lot of the fun disappears towards the last 20 minutes. The film does not need to invent the wheel again, but maybe just give it a little more shiny wrapping so that one does not see that it's the same old wheel.
"The DUFF" is more than good enough for its genre, masanobu sato but still lacks a great deal to be a new high-school masanobu sato classic á la "Mean Girls" and "Easy A". "The DUFF" are ironically more duff-one to the movies.
Love, Rosie
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